JOSH W BARNETT
[Self Shooting Producer Director and Digital Creative]
BIOGRAPHY
JOSH W BARNETT
Josh W Barnett is a Self-Shooting Producer Director and Digital Creative renowned for innovative visual storytelling, clear communication, and creative problem-solving, crafting digital strategies that deeply resonate with audiences. His expertise spans engaging witty scriptwriting, up-to-date technical prowess, and shooting for the edit. With a successful track record, Josh elevates projects, capturing relaxed, natural responses from diverse subjects. Navigating challenging conditions or directing sensitive subjects, Josh's adaptability and humour shine through, making him the perfect choice for anyone looking to make a lasting impact with their content, whether it's a full-length series or a quick-turnaround viral video Josh excels in TV editorial while also creating award-winning shorts, branded media campaigns and capturing live events.
PORTFOLIO TIMELINE
I WORK WITH
I WORK WITH
BIG FAT QUIZ OF THE YEAR
As a member of the editorial department for Big Fat Quiz Of The Year 2022, 2023, TV and Sport, I contributed to the production of two 3-hour shows. My role involved researching and fact-checking in-depth topics from the previous year to be discussed on the show, creating questions, brainstorming various fun game ideas and items, and casting unique guests to come on the show. In addition, I personally self shot a variety of VTs, including one shot in a primary school and casted children to appear on the show alonside a Producer. My attention to detail and dedication to creating engaging content helped ensure the success of both productions.
2022
CAMDEN PASSAGE SHOOT
As part of The Grandad Company's second-year, I was commissioned to produce, direct, and shoot a promotion that showcased the brand's environmentally conscious upcycling mission. We shot in multiple locations and provided the client with a huge variety of outfits that breathed new life into reclaimed vintage menswear for a new unisex generation. I cast and hired models, recce'd locations to specifically color coordinate photography. With a keen eye for detail and a passion for sustainable fashion, I delivered high-quality photos that accurately represented the brand's ethos.
DON'T HATE THE PLAYAZ
As a member of the editiorial team for the comedy entertainment panel show Don't Hate The Playaz, I was responsible for games testing and ensuring the accuracy of the show's content. The show, which celebrates all things rap and hip-hop, is hosted by Jordan Stephens and features team captains Maya Jama and Lady Leshurr. In addition to my research duties, I was hired as a self-shooter for the show's VTs, including those featuring Shaggy and the Black Eyed Peas. My work on the show allowed me to contribute to the creation of engaging and dynamic content that showcased the best of rap and hip-hop culture while also feeling fresh.
SEEN CONNECTS X EBAY
I was hired by eBay to work as a sound recordist and camera assistant for various social media content projects. These projects involved filming high-profile talent such as Julie Adenuga and Fearne Cotton. One collaboration was with Morley's Chicken Shop to promote Sneakerheads, while the other was with Fearne Cotton's yoga brand. In these roles, I was responsible for ensuring that the sound quality was optimal and that all equipment was functioning correctly. I also assisted with camera work, helping to capture compelling footage that highlighted the unique features of each product.
LONDON WEB3.0 EVENT
I provided end-to-end event coverage for Meiline's Web3.0 Networking event, held in central London. My responsibilities included self-shooting, photography, and hiring a drone operator to capture stunning footage of the event, which was attended by tech clients from across the globe. Additionally, I utilised my post-production skills to edit and create various deliverables for social media platforms to maximize the event's reach and engagement.
JAMES ACASTER PILOT
During my time at Hat Trick Productions, I was hired as a Self Shooting Producer/Director for a pilot project. I was tasked with developing and shooting the pilot, which included creating a green screen background. Working closely with Stu Mather and James Acaster, I participated in workshops to discuss ideas to be shot and the design of the green screen background. With my expertise in self-shooting, I was able to bring their vision to life and create a high-quality pilot that exceeded their expectations.
CENTURIES - GOLDEN STORIES
I was fortunate to work on a special project with Phoenix Community Care, a charity that provides care and support to those in need. We piloted a series of mini docs that focused on the incredible stories of individuals aged over 100. We interviewed family members capturing memories of these amazing individuals. We even took a trip down memory lane by visiting the areas described in the anecdotes. The pilot episode was based on the founder of the charity, Adrian Hawkes's mother. Additionally, I also had the opportunity to self-shoot various fundraising events for the charity, contributing to its mission of providing care and support to those who need it most.
BRIGHTON FRINGE - PROMO
I was hired by various comedy-specific acts at Brighton Fringe Festival including Arthur Smith, Isaac HP, Notflix, and Privates. It was a hybrid theatre package that combined hosted interviews as promotion for their shows for the festival, full performance photographs for portfolio purposes, and individually separately filmed funny sketches for social media platforms. One of the sketches reached over 20,000 views on Instagram in one week.
In order to honour NHS workers Channel 4 partners up with The Sun and the National Lottery to give our service workers the recognition they deserve. I set up and personally shot over 50 VT's across the UK in 3 weeks including difficult locations like a Helipad. I shot various surprise visits whereby high-profile talent like David Beckham, Jamie Oliver, and Davina McCall surprised our heroes by giving them an award. I conducted research chats with vulnerable contributors about very sensitive and medically technical subject matters as well as scripted for the edit and scheduled.
WHO CARES WINS AWARDS
GET A ROOM
A pilot for a new entertainment series 'Get A Room' which revolves around people casting for a new roommate, whereby there is a selection of interesting characters. I orchestrated scenes, collaborating closely with the other camera operator to capture compelling footage independently and set up the director's monitor. Filming contributors unfamiliar with being in front of the camera, ensuring a comfortable and engaging environment. Additionally, I successfully managed actuality scenes featuring seven individuals speaking simultaneously, incorporating GV's, MIV's, and skillfully operating B-Cam, providing valuable support to the PD on location.
25 YEARS OF AMAZON QUIZ
As a member of the development and editorial department for the branded format to celebrate 25 years of Amazon. I helped create a pitch deck for a new format, conducted rigorous games testing, and directed high-profile talent in front of the Green Screen for VT shoots. I personally implemented AI, generating Deepfake VTs. I maintained seamless communication, liaising with the client, host, and director from development to the studio, overseeing EVS and Sound. My role also extended to creating biographies and performer packs, offering comprehensive briefings for comedians.
NEVER MIND THE BUZZCOCKS
In the studio team for the enduring music panel show Never Mind the Buzzcocks, my key responsibilities involve casting musicians and extras for the identity parade. I handle talent briefings, acting as their main point of contact. Extensively engaged in game testing, I contributed several innovative music-related games. Conducting research chats with high-profile talent, I coordinate detailed biographies for script integration. I manage music, stills, and archive clearance tasks.
2023
BLANKETY BLANK
As a member of the studio team for the long-running game show Blankety Blank my main roles and responsibilities include the safekeeping and briefings with all our high profile celebrity guests. I ran through the entire format of the show with each guest. In each episode, we would shoot with 6 new celebrities, and we shot two studio records every studio day. On top of the briefings I was also solely responsible for creating all of the biogs and running past guest connections with our series producer. I also had the opportunity to write blanks to be incorporated in the show.
LONDON DUNGEONS - PROMO
As a camera and lighting assistant, I worked on a shoot organised by Frieda TV to film promotional material for the London Dungeons. Our team had a limited time frame to shoot several set-ups, including individual press shots and selective scenes while capturing the audience's rollercoaster ride in the most dynamic and safe way possible. We utilised both gimbal and sticks to capture footage while touring the entire venue. I was responsible for assisting with lighting setups, camera operation, and ensuring that all necessary shots were captured within a tight turnaround.
BIG RAT LITTLE RAT
As the producer of Big Rat Little Rat, a live panel show featuring established and up-and-coming comedians, I'm responsible for creating and overseeing the show's entertaining and challenging games and tasks. In addition to producing the show, I also shoot all of the live stand-up performances that take place every Tuesday. The stakes are high for the comedians competing on Big Rat Little Rat - the winner gets to avoid returning to the open mic circuit and performing at normal rat's open mic night. Through my expertise in production and shooting, I ensure that every performance is captured and presented in a way that truly showcases the comedians' talents and humor.
THE PRISCILLAS - ANGELA
"Angela" is a music video for The Priscillas, with a narrative that follows the entire Brit Pop band as they have various similar encounters with creepy guys. With a humourous tone the band come together to share their experience. We also intercut the sequence with stylised band performance sections. I was the director and editor of the video and also filmed various sequences and hired a gimbal operator to shoot various shots including a Zolly shot.
THE NATIONAL COMEDY AWARDS
As a member of The National Comedy Awards editorial team, I played a vital role in producing this prestigious annual ceremony celebrating the best comedians and entertainment performances of the year. My responsibilities ranged from managing the long list and conducting in-depth research on comedy trends, to brainstorming sketches and live musical numbers, creating pitch decks, and sourcing locations. I also directed high-profile talent on sensitive subject matters, self-shot all VTs, and managed VT budgets, while handling graphics, in-house editing, and data transfers. Additionally, I created travel and headshot documents for chaperone briefings and camera packs, ensuring everything ran smoothly behind the scenes.
BETTERVERSE - PROMO
I was hired by Betterverse, a tech company that leverages blockchain technology to track charitable donations for NGOs. Their product, a digital tree, provides a comprehensive breakdown of the good that donations do and tracks where the money goes. My role was to create a range of promotional materials for the company, including videos for investors and internal pitch training videos. With my direction and guidance, we were able to create compelling and engaging content that effectively communicated their mission, and aided the experts with feeling comfortable in front of camera.
HANNAH GADSBY A GENDA AGENDA
A groundbreaking Netflix Stand Up Special, the first entirely LGBT+ showcase of international comedians. Collaborating with the director, I shaped the visual style of the show's intro and outro. In addition to this, I took on various responsibilities, including personally directing, conducting, and shooting backstage interviews. I skillfully operated the gimbal and EasyRig, capturing GV's, B-roll, and establishing shots of the dynamic Alexandra Palace venue, independently and within a live multicamera setup. I guided on lighting elements to the gaffer and instructions to the camera assistants.
BANANA BOAT
"Banana Boat" is an award-winning short that was created as part of the Home Spun Yarns film funding opportunity. I developed the pitch with our hilarious director Holly Hunter, as well as was heavily involved in the scripting process. In pre-production I was responsible for bringing on high profile comedic actors as well as involved in the general organisation of this project on the tricky location of a beach in the peak of summer. Throughout production I was involved as a created producer and the film was so well recieved it won the Yarns best film award.
2024
JALLY TV
Filming Watersmeet Theatre a live dance performance as part of a multi-camera environment. Obtaining line in from the mixing desk and filming with young talented performers and esnuring they are comfortale in front of the camera. Other duties at Jally TV include crafting compelling TV entertainment pitches for high-profile comedic talent and commissioners under the theme of dreams incorporating the inclusion of cutting edge AI into the pitch and taster sizzles shot specificly for the programme.
PERCELLE ASCOTT MASTERCLASS
Wall of Comedy is a production company that spans across genres. Working closely with the team in association with Loads of Talent a media education facilitator. Actor Percelle Ascott began hosting actors masterclasses for those looking to get into the industry. I captured these monthly events for Wall of comedy as long as teaching actors how to feel comfortable infront of the camera. I executed all aspects of self shooting including managing a self-shooting assistant producer in a multicamera environment. I edited a highlight reel as well as a podcast we filmed after the course with a Q and A with high proifile talent.
2021
A1PHA ROMEO - THE WHITE LABEL
I was hired to create a mini-documentary to promote A1pha Romeo's upcoming Hip Hop EP, 'The White Label'. In the documentary, we explored the experiences that inspired the EP, with A1pha Romeo opening up about his artistic background and how it ties into the three tracks. As a self-shooter, I was responsible for DOP, directing, and producing the mini-documentary, and I also hired a B-Cam Operator as we only had an hour to turnaround. The end result was a compelling and engaging piece of content that effectively promoted the EP and provided insight into A1pha Romeo's creative process.
THE GRANDAD COMPANY
The Grandad Company is a streetwear brand with a unique mission to bring vintage menswear back to life for a new, unisex generation while prioritizing environmental sustainability. In its first year, I was hired to produce, direct, and shoot a promotional campaign set in a farmyard location. I worked closely with the team to cast and hire models for the shoot and also shot flat lays for the brand. Additionally, I edited all the photos internally to create a cohesive and compelling final product. It was a great opportunity to work with a brand that values sustainability while creating visually appealing and stylish streetwear.
ALONE TOGETHER
As the production manager and edit assistant for a long-form documentary about the life and retirement of legendary US Jazz trumpeter, Thomas ‘TK’ Kirkpatrick, I was responsible for overseeing all aspects of the production process. In addition to organising and executing multiple shoots within a one-week turnaround, I managed the live post-production process, maintaining edit logs and ensuring timely delivery of dailies. The film showcased TK's journey from a remote area of Northern Italy to his return to the limelight in London, where he played alongside some of the city's most promising musicians.
KU-RO - LIMBO
I was the director of photography and director for a music video of Kuro's song about feeling like you are in a state of limbo. With only a week to turn around pre-production, the video features a hypnotic melody with trippy visuals to match. Starting with the album cover artwork, the video then transforms as the subject becomes visibly closer until a rack focus where everything becomes a blackout blur. Heavy post-processing with visual effects was applied to intercut between various static scenes and a dream sequence.
SHOWREEL FILMING
I have extensive experience in self-shooting various showreels, ranging from individual actor showreels to showreels for media schools such as National Youth Theatre, The MET Film School, Morley College, Loads of Talent and the Richmix. My involvement in these projects includes the entire filming process, from lighting to directing, and I am also sometimes involved in shortlisting pre-established scripts or writing scripts. My goal is always to create compelling and engaging content that showcases the talents of the individuals or institutions being featured, and to do so in a way that is visually stunning and professionally executed.
HAVE I GOT NEWS FOR YOU
I had the pleasure of working on two series of the iconic British topical panel show and political satire. As part of the team, I was responsible for daily in-depth research into the topics to be discussed on the show, fact-checking on a very quick turnaround, clearance of archive material for broadcast, writing witty questions, keeping up-to-date with politics and current affairs, and editing stills assets for broadcast using Photoshop. Additionally, I trained staff in workflow and licensing and acted as a liaison during the edit of the extender.
I line-produced this multi-location, day-for-night shooting, ensemble production directed by Tyrell Williams and Exec Produced by Joe Paley in a week-long pre-production turnaround. This scripted comedy pilot follows a group of young aspiring rappers attempting to come up with the 'new sound of the underground' and getting into trouble after lying to their record label and pretending to be more "gangster" than they really are. It was made as part of the Youth Project - The Big House Theatre Company, and we had to take a duty of care when filming with vulnerable students.
RAT-A-TAT
GETTING COOKED
I guest-starred and assisted with video production for the pilot and first episode of a digital comedy entertainment series called 'Getting Cooked,' produced by Loads of Talent and hosted by Charlie Michael Pope. The show pits friends against each other in a three-round roast battle, where they have to become enemies and give no holds-barred insults. In the first-ever episode, Sam and Josh, friends, comedians, and business partners, face off. Later on, I returned as a guest judge for season 2 of the show.
LIT ENTERTAINMENT NEWS
2020
LOVE IN THE TIME OF CORONA
Tensions are at an all-time high in an apocalyptic, Corona-struck London as one lustful lady flirts her way through passengers on the Tube, determined to pin down some Friday night fun in this silent 60 sexy seconds film. Sanitisation is the new currency of seduction, and the more you wear, the better. Expect slick sounds, rad rhythm and cult clichés. I not only produced and self-shot this film set entirely on the London Underground but also edited it, which went on to win awards from Raindance, British Comedy Guide, Comedy Crowd TV, and many other BAFTA-qualifying award shows.
BBC NEWS
I have AC'd, self-shot, lit, sound recorded, and supported production for various BBC and BBC News reports and live event coverage. Some of the events I have worked on include Rip Off Britain, Morning Live, Day Health Check UK Live, Commonwealth Day, New Year’s Eve Fireworks, Election Night, Remembrance Sunday, The Cenotaph, Children in Need, and Lord Mayor Show.
RECREATE
My official scripted directorial debut"Recreate" is a dark comedy-thriller that follows the story of three immature adults who take a boozy holiday in Norfolk to mourn the loss of their close friend. Co-written and co-produced by Fergus MacGreggor, the film takes a dark turn after the trio torments a neighboring farmer and wakes up wearing electric dog collars, which hold them captive at home. Shot by Theo Rhodes and Sam Lowsley-Williams, the film marks the first time the director also starred in it. Despite being a debut for the director, "Recreate" won several awards for Best Short Film, including Deptford DC On Demand, Flickfair, and Kiarostami Film Festival
On this live 3-hour morning show, I assisted with editorial, research, script writing, creating questions for guests, digging for exclusive stories on their socials, fact-checking, sourcing of archive clips, logging clearances of non-agency assets, creating interesting graphics, fore-planning, and same-day casting guests. In addition to these responsibilities, I also assisted with briefing hosts Ruba Wilson, Bradford How, Sloane Glass on items, checking scripts for technical issues, operating the teleprompt throughout rehearsal and the live show. I recalled complex instructions from Producers, EP's, and Gallery Directors and worked closely with developing engineers to trial and rework remote software.
SYLVETTE - KELPIUS
As the creative producer for Sylvette's "Kelpius" music video, I collaborated with the band and director to develop a concept featuring a choreographed dance solo and animated sequences that matched the band's distinct style. I also line-produced and managed the project, coordinating logistics and ensuring a seamless shooting schedule with a micro-budget. We incorporated cutting-edge AI technology and implemented animated design and motion tracking while working with original artists to create the desired visual effects.
REASON TO LIVE
During the height of the pandemic, I was invited to develop a spoken word short film that focused on positive attitudes towards mental health during isolation and lockdowns. As a development producer, I was responsible for casting spoken word artist Tahla Krosschell and script editing the poem. Additionally, Sabotage Films used the recorded material, shot by Maximillian Brunner, in a surreal and high-energy commercial for Ayoka - Gute Laune.
TRAINED BY
TRAINED BY
2019
THE STOCKY BROKER
I produced "The Stocky Broker" a short documentary that captures the journey of a stockbroker turned amateur boxer in his first bout at an exclusive White Collar Boxing competition in under a month on no budget. The film was directed by Theo Jessel. In addition to following the fighter during his training, I coordinated a multi-cam shoot of the live event at Clapham Grand, along with a test shoot. Despite limited resources, the film was recognised with a nomination for best new filmmaker at the Lift-Off Film Festival and was released on YouTube by Free Doc.
JODIE
"Jodie" is a feature-length social realism drama revolving around a couple dealing with the sudden loss of their infant child. It was written by Luke Canavan, directed by Stephen Coll, and produced by Viktor Condratov and Shot by Maximillian Brunner. I was Casting Director, AC, and Producer for one night shoot. I managed to cast 15 actors within 10 days, implementing street casting methods and managing to host adverts on all reputable casting websites for free.
XBOX SHOWCASE LIVE
Live from the new flagship Microsoft Store in Oxford Circus, I worked as an AC and Camera Operator for a 5-hour Livestream event as part of the launch. The event featured UK gaming content creators and AAA celebrity talent competing and collaborating in popular games. The event was directed by Matt Cuttle.
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GIRL CRUSH - THREE WORDS
Party like it's Windows 2000! I was the DOP for the music video "Girl Crush" directed by Karol Streisand. The video features heavily processed and digitized visuals inspired by vapourwave, a blend of art-directed segments and post-production visual effects. The song itself is about taking a leap of faith and considering what matters in one's current situation. In addition to my role as DOP, I worked with the director to create a live-action infinity loop that adds an additional layer to the video's concept.
FLAWSOME - PROJECT IN THE PAINT
"Project in the Paint" is a documentary-style advert created in collaboration with Flawsome and Project in Paint. The advert showcases Gareth's work in promoting engagement in UK grassroots basketball by transforming courts in underprivileged areas into art. As the Self-Shooting PD, I was responsible for filming and conducting interviews with Gareth to create a compelling visual narrative for the advert.
SHANTI - I REMEMBER YOU
"I Remember You" is a live performance music video for the band Shanti, shot in Studio Z in Brixton. The video features two distinct lighting setups and small battery-powered lights on the instruments, creating a unique visual style. Directed by Aurore Greindl and produced by Theo Jessel, the project was shot by Maximillian Brunner, with me serving as the AD and Associate Producer.
FORBIDDEN FROOT - IMPALA
"Impala" is a music video for Forbidden Froot, with a narrative that follows Froot as he believes he is joining his friend for a laid-back hipster party, only for the group to spike him in order to take him as a sacrifice for their cult. Directed by Laurie Jenkins and shot by Sabin Alexander Anderson, I served as the AD and Associate Producer on the project.
You made it this far, why not have check out my showreel!
Josh W Barnett Comedy Self Shooting Producer Director Showreel 07 03 24
2018
ON YER BIKE
I developed, directed, and edited "On Yer Bike," the first series of a comedy talk show hosted by James Gill Comedy and featuring guests Ramesh Ranganathan, Nick Helm, Suzy Dent, and Tom Allen, all on a zero budget. The show involved interviewing comedians while they were on exercise bikes and was produced during my time as an in-house self-shooting producer at Balance Media. The first episode received 20k views on Facebook within four days of being uploaded.
LIME
"Lime" is a brutal and raw 70s exploitation proof-of-concept short film that follows two bumbling mercenaries attempting to dispose of a body in a bathtub. As the producer, art director, and editor, I helped bring director Tyler Richards' vision to life. With a successful crowdfunding campaign that raised 2k, we shot the period piece in just one day, with Felix Wildey's stunning cinematography capturing the grungy, visceral feel of the era.
DEMON DAYS
"Demon Days" is a surreal fantasy art film directed by Viktor Condratov and Shot by Felix Wildey. The smörgåsbord of expression is loosely structured around 3 fallen angels attempting to get back into heaven. I was the producer of the ambitious, diverse micro-budget short which had VFX, stunts, 3 full head mold prosthetics, and an extra heavy night shoot.
A1PHA ROMEO - SHAKE IT FOR ME
"Shake it for Me" is a heartwarming and inspiring music video that tells the story of Alicia, a young single mother who is balancing her work and higher education to provide for her infant son. As the director of this project, I was tasked with bringing the artist's vision to life by creating a cohesive and achievable storyline that would capture the upbeat and feel-good nature of the song. With a focus on storytelling and a talented cast and crew, we were able to create a music video that celebrates the strength and determination of single mothers everywhere, while also delivering a fun and memorable summer anthem.
MEL
"Mel" is a 5-part comedy web series created by the talented show-runner Steve Rehman. It follows the story of Melanie Murphy, a morning chat show host who has fallen from grace and is willing to do whatever it takes to get back in the limelight. As the Series Producer, episode 5 writer, and series script editor, I was responsible for ensuring the show's tone and consistency were maintained throughout. Working in a writer's room environment, we were able to produce the show in just one month, with pre-production, production, and post-production all taking place within that period.
PASSIONE BAND LIVE
"Passione Band" is a series of high-energy live gig recordings I produced for band promotion, commissioned by band manager Salvatore Mirabile. Over several occasions from 2018-2022, I served as a Self Shooting Editor, delivering top-notch edits featuring multi-camera lit shoots in prestigious locations such as the Ritz.
MCALPINE MILLER LABEL
I produced and directed a fashion film for a label associated with contemporary artist Stuart McAlpine Miller. I hired my macro crew, storyboarded, and edit produced the project. Shot on location in a Scottish Castle, we created a stylised neon-lit loop featuring a model and overlayed various speicial effects perfect for social media promotion.
FORZA HORIZON 5 - LIVESTREAM
"Forza Horizon 4 Update Livestream" takes viewers behind the scenes of the latest update for the popular racing game, with exclusive first looks at the new Photo Mode improvements and other exciting additions. Directed by the talented Matt Cuttle and filmed by me as Director of Photography and Camera Operator for Attention Seekers, we utilized a dynamic multi-camera setup to capture every moment of the 2 one-hour live broadcasts, providing an immersive experience for gaming fans everywhere.
TRAIN2FIGHT UK LIVE
BEHIND ENEMY LINES III
"Behind Enemy Lines Live" is a thrilling live fight night event that showcases the skills and talents of Train2Fight gym fighters. I had the opportunity to work with Jon Bryson on two occasions as a freelance Camera Operator, filming the live event to be used in post-production packages. My role was to capture every moment of the fight using a single camera setup, ensuring that the action was captured in high-quality footage that would excite fans and attract potential sponsors.
FALSE HEADS - PROMO
Originally planned as a documentary highlighting grassroots independent music venues across London and the UK, indie rock band False Heads jumped at the chance to be featured. I was commissioned to create a promotional short interview, perfect for their social media platforms.
ALONE TOGETHER
Long-form documentary, due out at the end of the year. More information coming soon! Legendary US Jazz trumpeter, Thomas ‘TK’ Kirkpatrick, has spent the last 25 years living in a remote area of Northern Italy - a surprising move for one of New York’s finest musicians for multiple decades. Now, he returns to the limelight for a week in London where he’ll be playing alongside some of London’s most promising musicians in an attempt to recapture his form, relive his glory days and might just pass on a thing or two to London’s Jazz scene. I was the production manager and edit assistant.